Adriana Ramos
Notre Dame de Paris
Character Designer & Texture Artist
For this ambitious docu-fiction detailing the centuries-long construction of the Notre-Dame Cathedral, I served as a key Character Designer. My focus was on historical authenticity and visual storytelling, translating archival references and photographs into 3D-ready character concepts.
I specialized in defining the facial features and period-accurate costuming to reflect the social evolution of the era. To ensure a seamless transition into the 3D pipeline, I also took on the role of Texture Artist, using Substance Painter to bring a tangible, cinematic realism to the characters I designed. This dual role allowed me to maintain visual integrity from the initial sketch to the final render.
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Buffalo VR (Android experience)
Project Manager & Interactive Artist
Tasked with steering this immersive marketing experience to completion, I stepped in as Project Manager to optimize the production workflow and ensure on-time delivery. Beyond management, I served as a Visual Lead, defining the art direction for set dressing and UI design.
I was responsible for the end-to-end creation of key 3D assets—from initial storyboarding and modeling to texturing and final animation. By leveraging Unity, I bridged the gap between static art and interactive performance, ensuring all assets were optimized for a seamless mobile VR experience.
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Herdez Sustainable Campaigns
Storyboard & Keyframe Artist
Collaborating with the agency Alquimia, I was responsible for translating complex scripts into high-impact visual narratives for Herdez. My role was to bridge the gap between the initial concept and the final production, envisioning cinematic scenarios that aligned with the brand's 'Master Graphic' identity.
I developed the full visual concept and storyboards, focusing on clear composition and emotional resonance. A key challenge was integrating technical assets—such as engineer-provided eolic generators—into a cohesive, organic environment. By prioritizing visual hierarchy and storytelling, I ensured that the narrative remained the focal point while maintaining technical accuracy for the final execution.
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Hurry Paints
Storyboard & Motion Graphics Animation
Advertising for the Mexican enterprise PRISA, who sells paint for houses. I worked as a freelancer for the advertising agency, Alquimia Interactive.
They gave me the script and I came up with an idea and a storyboard that would fit their needs with the audio they gave me. I created the visual concept, except for the can, the titles and the house that was given with the discount poster the design team made. After that I animated everything.
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Videomapping
Modeling, Texturing & 3D Animation
Videomapping for events in different states of Mexico.
I modeled, textured and animated the snake in Cinema4D. I also participated in creating some of the environments and motion graphics animations included in the videomappings shown in the photos below.
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Don Luis
Cut-Out + Flash Animation
(Created in one week)
Video for Association CAST, First Prize of the Vertical Workshop in the school ITESM, Guadalajara, Mexico.
Watercolor scanned pieces added in Adobe Flash for animation.
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